DMI - Design Management Institute About DMI
Shopping Cart Free Subscription Join DMI Contact Us Help
Conferences Seminars/Education Member Resources Publications Research DMI International About DMI
Log In
Job Bank
Professional Interest Areas
Resource Links
 

Mastering the Art of Shelf-Confidence

By Steve Chalson, Director, Marketing Services – Dixie Business, Georgia-Pacific Corporation

Brands have many demands placed on them by the consumer. These demands range from solving basic functional needs like thirst, to satisfying an emotional desire like personal appearance. For most products, however, the real war occurs inside the retail environment. In that competitive arena, brands must rise above and connect emotionally with the consumer. After all, they not only compete with other brands, but they must also fight a low-price (commodity) war with private label. Enter the requirement for a brand to command shelf-confidence.


Shelf-Confidence is a brand's identity, expressed through both aesthetic and functional design. Or, said another way, Shelf-Confidence is an aesthetic layer, the art that unites a brand's visual equities to create an unspoken dialogue with the consumer. Properly executed, Shelf-Confidence will allow a brand to command price, presence, and preference in a sea of sameness.


Shelf-Confidence is only realized when a perfect balance between strategy and aesthetics has been achieved. The equation solid strategy + outstanding aesthetics = shelf-confidence seems like it would be an easy thing to do, but many organizations have a difficult time just getting started. The link between the strategy and aesthetics is the creative brief. This document must be owned by the brand (not your agency), it will bring an agreed-upon clarity to branding objectives before moving into aesthetic execution. Outstanding aesthetics is all about the execution, so hire the best designer possible, step-aside, and let them do their magic.


The first step to mastering the art of Shelf-Confidence is taking the time to define the brand strategy, writing it down, and staying committed to it. Brand Strategy starts by defining a brand’s basic DNA, where you came from, where you are today, and where you want to go. Then, honestly evaluate the current position you hold in the market, realizing that regardless of how well-known your brand is, not everyone knows what value you provide. This understanding must include a realistic look at the competition and ultimately what you know that makes your brand different, better, and special.


After you’ve laid the foundation for the Brand Strategy, write a Creative Brief by objectively answering who, what, when, where, why, and how. Don’t forget to put solid metrics in place to measure each concept. Creative metrics provide the criteria for a designer to decide whether or not to hit <<command P>> or to keep working on a concept. In addition, the metrics must clearly articulate and rank order a communication hierarchy – that is, what are the most important unspoken messages we want our target audience to think or feel about our brand. Finally spell-out the “key-take-away”, that one thing you want the target audience to get, after the two-second test.


To hire the best designer you must look, listen, and then evaluate what they can do. Do not start by listening first because too many creatives have mastered strategic-speak while few have mastered strategic-execution. Look beyond their creative awards and their impressive client list and instead at a creative exploration phase of at least two past projects. Listen to the strategy and metrics they were executing against and evaluate the work by looking closely at each concept they present. Understand if each of the concepts nailed the strategy or if some were complete throw-aways – that would be money poorly spent. Determine if every solution is an individually distinctive solution or did their indecisiveness represent a basic color study or an exercise in the Adobe font library. Choose your designer wisely as it is their ability to execute that matters more than how well versed they are.


Finally, to “Master the ART of Shelf-Confidence” put the preceding processes in place and do not handcuff the designer with a highly executional brief. Believe in your brand’s strategy, the brief, and your designer; then, measure the creative objectively. It’s NOT about whether or not you like the creative; it’s about whether or not the creative is on strategy.


When a brand has good shelf-confidence it results in good shelf-expression. Good shelf-expression creates a sense of Shelf-Awareness in the mind of the consumer. Good shelf-awareness leads to increased sales for your brand. Increased sales for your brand lead to a stronger and more profitable Company.

 

 

This article first appeared in the Spring 2004 issue of DMI News & Views.